The Space Between, Hauser & Wirth

 

Installation View: ‘The Space Between’, Thomas J Price, Hauser & Wirth St. Moritz, 2022
Photo: Jon Etter

The Space Between
12 Feb ‘22 - 18 April ‘22
Hauser & Wirth St. Moritz, Switzerland

For his first solo exhibition in Switzerland, titled ‘The Space Between’, Price presents a selection of small and large-scale sculpture spanning two decades, alongside two of his film works that show another dimension of his practice. The exhibition is an exploration into the artist’s long-established preoccupation with ancient traditions of monumental sculpture, alongside an intrinsic understanding of the symbolic power and hierarchy held in materials.

Price’s sculptures depict imagined subjects through the artist’s hybrid approach of traditional sculpting and intuitive digital technology. ‘My work references art history as a means to reveal our learnt understandings and attitudes towards representation within the traditional canon and the systemic marginalisation within it’ states Price. The exhibition coincides with ‘Witness’ at Marcus Garvey Park with the Studio Museum Harlem, NY, until October 2022, as well as the installation of the sculpture ‘Reaching Out’ at Chillida Leku, San Sebastian on view until June 2022.

 

Whilst the majority of Price’s oeuvre relates more closely to the male figure, ‘Lay It Down (On The Edge of Beauty)’ (2018), as well as his most recent work in the exhibition, ‘Reaching Out’ (2021), mark a poignant shift towards female identity and a shared Black experience. ‘Lay It Down (On The Edge of Beauty)’ extends Price’s line of enquiry into deities, illuminating universal threads within popular culture, media, and fashion that relate to signifiers of Black womanhood. Price intends to spotlight the stigma associated with hairstyles and formal conventions of beauty, as well as the lack of acknowledgment when they are reappropriated outside of their true origin.



Harnessing the narrative power of performance, film and animation have been a consistent element throughout the artist’s career to date. ‘Man 10’ (2012), a stop-motion animation, demonstrates an early desire to respond to the history of racialisation and magnifies the complexities of deep social tensions. Drawing upon his own lived experience and commonplace observations, Price elevates our awareness of unconscious forms of communication through subtle shifts in facial expressions and movements.

Installation View: ‘The Space Between’, Thomas J Price, Hauser & Wirth St. Moritz, 2022
Photo: Jon Etter